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Hidden gemHub · 2 stops1st c. BC – 7th c. ADTicketed

Lupiae – Lecce

Lupia, Loupiai

city · Apulia, Italy

What it is
Lupiae was the Roman town under today's Lecce, in the heel of Italy, and two of the buildings it put up for shows lie open in the historic centre: a third of an amphitheatre, sunk below Piazza Sant'Oronzo, and a small theatre a few minutes' walk away.
What you’ll see
The amphitheatre. It lies in Piazza Sant'Oronzo, below street level.
Worth the trip?
If you are in Lecce, yes: the amphitheatre is in the middle of the town's central square, so it is hard to miss and cheap to enter, and it is a real Roman arena, with the arena floor, the lower seating and part of the outer wall still in place (it.wikipedia), not a foundation plan.
Getting there & cost
Lecce railway station, the end of the Adriatic line from Ancona (en.wikipedia), is about 1 km from the amphitheatre (OpenStreetMap). The nearest commercial airport is Brindisi's, linked from Lecce's Airport City Terminal (it.wikipedia).Ticketed · €5 · checked 17 October 2026Hours, tickets and parking
Curving tiers of stone seating and a grassy arena floor lie below a square ringed by pale stone palaces, an ornate Baroque facade and a column topped by a statue, under a cloudy sky.
The amphitheatre in its square, with the town's later buildings standing on its rim. · Photo: Dudva · CC BY-SA 4.0 · Wikimedia Commons
A wide panorama of a sunken oval arena of pale stone, with tiers of stone seating curving round the far side and passages opening beneath them, and town buildings, an arched stone front and a tall column standing round its rim at street level.
The amphitheatre below Piazza Sant'Oronzo. About a third of the building has been uncovered; the rest lies under the square and the buildings round it. · Photo: Bernard Gagnon · CC0 · Wikimedia Commons
A stone arch and square piers of large pale blocks, with lower walls between them faced in a net-like pattern of small square stones set on the diagonal, and modern buildings behind.
Opus reticulatum, the net-patterned facing of small squared stones, between the amphitheatre's piers. · Photo: PietroBlu · CC BY-SA 4.0 · Wikimedia Commons

The stops

2 places to see, the best preserved and best known first.

See all 2 stops on the mapWhere each one is, so you can plan your own way round.Open the map →
  1. A wide panorama from the rim of a sunken oval arena with a pale sandy floor, curving tiers of stone seating with dark doorways in their base on the far side, and above them a square of palaces, a large office block with a clock tower, an arched stone loggia and a tall column topped by a statue.

    Photo: Bernard Gagnon · CC0 · Commons

    amphitheatre · Apulia

    Roman amphitheatre of Lecce

    The building was an oval about 102 by 82 m (the Ministry of Culture), with an arena of 53 by 34 m (it.wikipedia).

    Ticketed
  2. Curving rows of pale stone seating steps run round a paved semicircular floor, closed off behind by the plain stone walls and arched windows of later buildings, with trees and palms above.

    Photo: Bernard Gagnon · CC0 · Commons

    theatre · Apulia

    Roman Theatre of Lecce

    The theatre was found by chance in 1929, in the gardens of two palaces, Palazzo D'Arpe and Palazzo Romano (it.wikipedia), and it still sits in a pocket between the old town's houses.

    Ticketed

Lupiae was the Roman town under today’s Lecce, in the heel of Italy, and two of the buildings it put up for shows lie open in the historic centre: a third of an amphitheatre, sunk below Piazza Sant’Oronzo, and a small theatre a few minutes’ walk away. They make an hour or two in a city famous for its Baroque, not a reason to travel to Lecce on their own. One €5 ticket covers both, but on 17 October 2026 the ticket office reported the theatre closed for refitting.

What is there today

The amphitheatre. It lies in Piazza Sant’Oronzo, below street level. It came to light in the radical replanning of the town centre early in the 20th century (the Ministry of Culture), when the Banca d’Italia building was going up (it.wikipedia). Digging began in 1900 under the archaeologist Cosimo De Giorgi and went on, with breaks, until 1940; about a third of the building is uncovered, and the rest lies under the square and the buildings facing it (the Ministry), among them the church of Santa Maria della Grazia (it.wikipedia; OpenStreetMap). It was an oval about 102 by 82 m. The arena, the corridor beneath the lower seating and the passages joining them are cut straight into the local Lecce stone; the load-bearing parts above them are of squared blocks, joined by concrete faced in opus reticulatum, a net-like pattern of small square stones. Of the 68 arches of the outer wall, 24 piers can be seen today (the Ministry). A relief in white Greek marble of hunts and fights between animals that ran along the parapet of the arena can be seen inside (Aditus, the official ticket office), and the lower corridor keeps many pieces of the building’s sculpted decoration (the Ministry). After restoration it reopened on 25 October 2025, with areas that had been closed, such as the middle corridor, open to visitors (Quotidiano.net).

Its date and its capacity are both uncertain. The Ministry thinks it probably Augustan, with work under Hadrian; other published dates run into the early 2nd century (Pleiades; it.wikipedia). Published estimates of its capacity run from 12,000–14,000 spectators (the Ministry) to about 25,000 (it.wikipedia).

The column in the same square, topped by a statue of Saint Orontius cast in 1739, is itself ancient: it is one of the two columns that marked the end of the Via Appia in Brindisi, given to Lecce by that city (de.wikipedia; en.wikipedia).

The theatre. About 270 m south-west of the amphitheatre, between Via del Teatro Romano and Via Arte della Cartapesta (OpenStreetMap; it.wikipedia), the theatre was found by chance in 1929 in the gardens of two palaces, Palazzo D’Arpe and Palazzo Romano (it.wikipedia). Its seating, cut into the rock and faced with squared blocks, is 40 m across and divided into six wedges of twelve rows each, many of them restored; in front of the orchestra, paved with slabs of white limestone, three broad semicircular steps held movable seats for notables, and behind it is the stage, 30 m wide and raised 0.7 m above the orchestra (it.wikipedia). Everything higher - the upper seating, the portico round the top and the stage front - is gone (fr.wikipedia). It held about 5,000 spectators (Aditus; it.wikipedia). It was restored and brought back into use in 1999, when a museum overlooking the seating, the Museo del Teatro Romano, opened beside it (it.wikipedia); the theatre’s marble statues are kept there and in the provincial archaeological museum, the Museo Sigismondo Castromediano (fr.wikipedia; it.wikipedia).

Is it worth the trip?

If you are in Lecce, yes: the amphitheatre is in the middle of the town’s central square, so it is hard to miss and cheap to enter, and it is a real Roman arena, with the arena floor, the lower seating and part of the outer wall still in place (it.wikipedia), not a foundation plan. But keep it in proportion. Only a third of it has been uncovered, the theatre is small and was closed for refitting in October 2026, and together they fill a morning at most. Come for Lecce and its Baroque centre, and give the Roman town an hour of it.

Lecce’s other ancient neighbour, Rudiae, birthplace of the poet Ennius, lies 3 km south-west within the city limits, with an archaeological park and an amphitheatre of its own (en.wikipedia; it.wikipedia).

Getting there and what it costs

Lecce railway station, the end of the Adriatic line from Ancona (en.wikipedia), is about 1 km from the amphitheatre (OpenStreetMap). The nearest commercial airport is Brindisi’s, linked from Lecce’s Airport City Terminal (it.wikipedia). Drivers will find the underground Park Liberty car park about 490 m from the amphitheatre, and small surface car parks closer to the square (OpenStreetMap).

The amphitheatre and the theatre share one ticket, from the official ticket office (Aditus, read 17 October 2026):

  • Admission: €5; €2 for EU citizens aged 18–25 (and others on reciprocity); free under 18 (under 12 only with an adult) and in the other categories of Italy’s state museums. Free on the first Sunday of every month, and on 4 November 2026.
  • Hours: Tuesday to Sunday, closed on Mondays. October to March 09.00–15.30, last tickets 15.00; April to June 10.00–13.00 and 17.00–21.00, last tickets 12.30 and 20.30; July to September 15.00–21.00, last tickets 20.30. The Ministry of Culture’s page gives 10.00–17.00 for the winter, so check before an afternoon visit between October and March.
  • Online tickets are for a set entry time, and the ticket office requires visitors to arrive at it.

No operator page publishes the hours or prices of the Museo del Teatro Romano.

Visiting details

Opening hours
Tuesday–Sunday, closed on Mondays. October–March 09.00–15.30 (ticket office until 15.00); April–June 10.00–13.00 and 17.00–21.00 (tickets until 12.30 and 20.30); July–September 15.00–21.00 (tickets until 20.30). Online tickets are for a chosen entry time.
Tickets
€5; €2 for EU citizens aged 18–25 (and others on reciprocity); free under 18 (under 12 only with an adult) and in the other categories of Italy's state museums. Free on the first Sunday of every month and on 4 November 2026. One ticket covers the amphitheatre and the theatre. A six-month Puglia Musei Card for all the regional museums directorate's sites (Taranto's MArTA excepted) is €20, reduced €14.
Parking
Park Liberty, an underground car park (OpenStreetMap way/647023282, 466 spaces, fee), about 490 m from the amphitheatre; small surface car parks lie within 150 m of Piazza Sant'Oronzo.

Before you go

  • On 17 October 2026 the official ticket office reported the Roman Theatre temporarily closed for refitting, with no reopening date given.
  • The Ministry of Culture's page for the site gives different winter hours, 10.00–17.00, against the ticket office's 09.00–15.30; check before an afternoon visit between October and March.

Hours and prices checked 17 October 2026 on the operator's own site. Confirm before travelling.

History

The first town here was Messapian. By the late 4th century BC it was a walled town, its walls 3 km long and 5 m thick round about 50 hectares, and stretches of them have been found in the modern city (it.wikipedia). Rome conquered the region in the 3rd century BC; the town took the Latin name Lupiae, and after the Social War ended in 89 BC it became a municipium, later a colony (it.wikipedia; Pleiades).

A short stay by Octavian, the future Augustus, and the loyalty of the local Messapian aristocracy probably lie behind what followed: in the last years of the 1st century BC an amphitheatre, a theatre and a temple, perhaps of Apollo, were built close together, turning the Messapian town into a Roman one (it.wikipedia). The walls, the gates and the cemeteries of the older town stayed in use. Under the Empire, and above all in the 2nd century, it became the most important town of the Salento alongside Brindisi; Trajan’s road from Brindisi to Otranto, the Via Traiana Calabra, ran through it, and Hadrian gave it a port in the bay of San Cataldo (it.wikipedia). Mosaic floors of a rich 5th-century house have been found along the line of Vico dei Sotterranei in the old town (it.wikipedia).

After Rome the town declined. The Ostrogothic king Totila sacked it in 542 and 549, and it then stayed under the Eastern Roman Empire for five centuries (it.wikipedia). The amphitheatre, its purpose gone, was quarried for building stone in the early Middle Ages and later built into the foundations of other buildings (Aditus); calyx capitals taken from it can be seen in Otranto Cathedral (Aditus).

More photographs

A small semicircle of stone seating steps curving round a paved floor, enclosed by the pale stone walls and garden of later buildings with arched windows.
The Roman Theatre's seating and orchestra, found in 1929 in the gardens of two palaces of the old town. · Photo: Bernard Gagnon · CC0 · Wikimedia Commons