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Hidden gem1st c. BC – 5th c. ADTicketed

Archaeological site of San Vincenzino

Parco archeologico di San Vincenzino, Villa romana di San Vincenzino

villa · Tuscany, Italy

What it is
San Vincenzino is the excavated ground plan of a large Roman country villa between Cecina and Marina di Cecina, on the Tuscan coast, used from the first century BC to the fifth century AD and now laid out by the town as an archaeological park (it.wikipedia).
What you’ll see
The villa survives as low walls and floor levels, partly in a shaded park among tall trees and partly under metal shelters over the excavations.
Worth the trip?
If you are in Cecina or on this stretch of coast, yes, for an hour: the cistern is a chance to stand inside a complete Roman water tank, and the combined ticket with the museum in town, where the villa's best finds are, makes a coherent half-day.
Getting there & cost
The park is at Via Carlo Ginori 33, between Cecina and Marina di Cecina, near the mouth of the River Cecina (the operator; it.wikipedia). A car park is mapped about 105 m from the remains and a bus stop, "V.Ticketed · €6.00 for a combined ticket to the park and the Museo Archeologico at La Cinquantina · checked 24 October 2026Hours, tickets and parking
A low ring of stone, the base of a round fountain, sits in a shallow sunken area of bare earth, with a low stone retaining wall behind it and, beyond, grass, trees and the metal frames of protective shelters.
The remains of the round fountain at the centre of the colonnaded garden. · Photo: Sailko · CC BY 3.0 · Wikimedia Commons
Low walls of rough stone spread across a dry grassy excavation under arched metal shelter roofs, with a round pier of red brick standing among them.
Excavated walls under the protective shelters, with a brick pier still standing. · Photo: Sailko · CC BY 3.0 · Wikimedia Commons
A shaded park of tall pines and other trees, with low stone walls rising from the leaf litter and a sunlit clearing beyond.
Part of the villa lies among the trees of the park, as low walls at ground level. · Photo: Sailko · CC BY 3.0 · Wikimedia Commons

What is there today

The villa survives as low walls and floor levels, partly in a shaded park among tall trees and partly under metal shelters over the excavations. When it was abandoned it was stripped even of its marble floors, only scant traces remain of the marble and glass mosaic that decorated the baths, and the most important finds are in the town’s archaeological museum at La Cinquantina, not here (it.wikipedia). What the park’s own audio guide walks you through on the ground is the baths, the production quarter, the atrium and the great colonnaded garden with the remains of its fountain at the centre (the operator).

The cistern

The one structure that survives whole is underground. Rainwater from the villa’s roofs ran through channels into a barrel-vaulted cistern, and two galleries leading off it in opposite directions, with a system of channels that filtered the water, carried it to the working areas and the private baths (the operator). The Comune gives the chamber as 16 by 5 m, with walls 80 cm thick and room for 540 cubic metres of water, and fitted it with new LED lighting in 2024. It is the part of the visit the operator singles out, “completely intact and open to visitors”. In the park’s store room, opened in 2017, a glass floor looks down onto the top of the vault (it.wikipedia).

The Villa Rossa, a building of the early-20th-century sugar works on the site, houses an antiquarium with some of the finds from the excavations (it.wikipedia) and a room of reproductions of ancient Roman musical instruments (the operator).

Is it worth the trip?

If you are in Cecina or on this stretch of coast, yes, for an hour: the cistern is a chance to stand inside a complete Roman water tank, and the combined ticket with the museum in town, where the villa’s best finds are, makes a coherent half-day. It is not worth a long detour on its own. Above ground this is a plan of a villa, not standing rooms, and it opens only on certain days, so check the hours before you set out.

Getting there

The park is at Via Carlo Ginori 33, between Cecina and Marina di Cecina, near the mouth of the River Cecina (the operator; it.wikipedia). A car park is mapped about 105 m from the remains and a bus stop, “V. Ginori 29”, about 160 m away (OpenStreetMap).

It shares its opening hours with the town’s archaeological museum. From 1 May to 30 September it is open Tuesday to Thursday 16.00–19.00 and Friday to Sunday 10.00–13.00 and 16.00–19.00; from 1 October to 30 April, Wednesday and Thursday 14.00–17.00 and Friday to Sunday 10.00–13.00 and 14.00–17.00. A combined ticket for the park and the museum is €6.00, or €15.00 for a family of two adults and two paying children; the published tariff gives no price for the park alone. The museum ticket on its own is €4.50 (€3.00 for ages 6–18, over-65s and students in Tuscany), and under-6s, visitors with disabilities with one companion, and ICOM members go free (Comune di Cecina, read 24 October 2026 - check before travelling, since prices and hours change).

Visiting details

Opening hours
From 1 May to 30 September: Tuesday to Thursday 16.00–19.00; Friday to Sunday 10.00–13.00 and 16.00–19.00. From 1 October to 30 April: Wednesday and Thursday 14.00–17.00; Friday to Sunday 10.00–13.00 and 14.00–17.00. The park keeps the same hours as the town's Museo Archeologico; Monday is not listed in either season.
Tickets
€6.00 for a combined ticket to the park and the Museo Archeologico at La Cinquantina; a combined family ticket (two adults and two paying children) is €15.00. The Comune's tariff gives no separate price for the park alone. The museum ticket is €4.50, or €3.00 for ages 6–18, over-65s and students in Tuscany; free for under-6s, visitors with disabilities and one companion, and ICOM members.
Parking
A car park is mapped about 105 m from the site (OSM node/6515448888), and the entrance is on Via Carlo Ginori 33.

Before you go

  • The Comune's tariff prints no price for the park on its own; information and guided-tour bookings through the museum on +39 0586 611588.

Hours and prices checked 24 October 2026 on the operator's own site. Confirm before travelling.

History

The villa stood on a low rise later called the Poggetto del Fico, on the left bank of the Cecina, a little over a kilometre from the coast, close to the Via Aurelia (it.wikipedia). It was probably begun around 30 BC and its original core was complete by AD 70. Between about AD 80 and 120 the rooms beside the atrium were remodelled, perhaps for the farm manager, with a store of more than twenty large buried jars for fermenting wine, and the owners’ quarters to the north were turned over to making olive oil and grinding grain (it.wikipedia; the operator). The wine went out in amphorae made locally, near the river mouth (it.wikipedia).

In the second and third centuries the owners added rooms for show: a summer dining room of 10 by 6.5 m with a basin and a nymphaeum, a round fountain of four basins faced with marble at the centre of the garden, and baths of about 940 m² with a palaestra, cold, warm and hot rooms and two pools. A great hall, perhaps for receptions, followed in the fourth century and, early in the fifth, an apsed hall that could be entered from outside, used for public ceremony. A hoard of late antique coins was found hidden under the floor of the hot room, and the alabaster torso of a statuette of Isis from a niche of the nymphaeum is in the museum at La Cinquantina (it.wikipedia).

Published figures for the size of the villa differ, between about 0.7 hectares (the operator) and 1.7 hectares (it.wikipedia). The villa is traditionally attributed to Albinus Caecina, of an old Etruscan family of Volterra: it may be the villa of Decius Albinus Caecina, prefect of Rome in 414, near which the poet Rutilius Namatianus describes salt pans in a lagoon (it.wikipedia). The Comune’s portal reports that Fulvia Donati of the University of Pisa confirmed the attribution in her publication on the villa; fr.wikipedia notes that no document attests it.

The villa was abandoned in the fifth century and stripped even of its marble floors. From the seventh century its southern part served as a cemetery, with burials into the tenth, and a modest settlement occupied the northern part in the fourteenth. The remains were still showing above ground in the 18th century; Leonetto Cipriani made a first excavation in the 19th, and systematic digs followed in the 1960s and 1970s and above all from 1983, by the Soprintendenza archeologica della Toscana with the University of Pisa (it.wikipedia). The park opened to the public in the mid-1990s: it.wikipedia gives 1995, fr.wikipedia 6 July 1996.

More photographs

A long, empty underground chamber with a barrel-vaulted ceiling and rough concrete walls, lit by small lamps along both sides, with a narrow doorway at the far end.
Inside the villa's underground cistern. · Photo: Sailko · CC BY 3.0 · Wikimedia Commons
A room lined with shelves of stacked plastic crates, part of its tiled floor replaced by glass panels through which a curved surface of earth and masonry is visible below.
In the park's store room a glass floor looks down on the top of the cistern's vault. · Photo: Sailko · CC BY 3.0 · Wikimedia Commons

Nearby

  • The Roman theatre from the slope above it, a grassy half-circle of seating, the standing fragment of the stage front and the excavated ground behind it, with a road, parked cars and houses at the edge of the town and hills on the horizon.

    Photo: Holger Uwe Schmitt · CC BY-SA 4.0 · Commons

    30 km · city · Tuscany

    Volaterrae – Volterra

    The Roman remains sit in and around a town that also keeps substantial Etruscan and medieval buildings (en.wikipedia), and all of them lie within about 650 m of the main square.

  • A Roman theatre seen from above, its curved tiers of stone seats set into a grassy hillside, with a tall two-storey fragment of the columned stage front standing beyond them and low walls and column stumps spread over the level ground behind.

    Photo: Jean-Christophe BENOIST · CC BY 2.5 · Commons

    30 km · theatre · Tuscany

    Roman Theatre of Volterra

    The seating still curves round the slope: two tiers, of nine and ten rows, divided by a narrow walkway.

  • A square block of red brick ruin with a dark arched opening at its base, standing inside a wooden-railed enclosure beside a paved street, an information board at the railing, an old brick wall behind it on the left and yellow-fronted houses on the right.

    Photo: Superchilum · CC BY-SA 4.0 · Commons

    47 km · bath · Tuscany

    Baths of Nero

    The piece that stands is the laconicum, the room for hot-air bathing: square on the outside and octagonal inside, it keeps its four brick outer walls (Comune di Pisa).

Straight-line distances.