
Photo: Claconvr · CC BY-SA 4.0 · Commons
amphitheatre · Veneto
Verona Arena
From Piazza Bra you see a long oval of two storeys of arches.
city · Veneto, Italy



8 places to see, the best preserved and best known first.

Photo: Claconvr · CC BY-SA 4.0 · Commons
amphitheatre · Veneto
From Piazza Bra you see a long oval of two storeys of arches.

Photo: MM · Public domain · Commons

Photo: Nick Savchenko from Kiev, Ukraine · CC BY-SA 2.0 · Commons
bridge · Veneto
A footbridge about 93 to 95 m long on five arches (it.wikipedia; fr.wikipedia), and you read its history from the materials.

Photo: Claconvr · CC BY-SA 4.0 · Commons
arch · Veneto
A free-standing arch of white local limestone, 12.69 m high, 10.96 m across its two main faces and 6.02 m deep (it.wikipedia).

Photo: Didier Descouens · CC BY-SA 4.0 · Commons

Photo: Falk2 · CC BY-SA 4.0 · Commons
gate · Veneto
What stands is the inner face of the gate, the one that looked into the town (it.wikipedia; archeoveneto).

Photo: Patafisik · CC BY-SA 4.0 · Commons
temple · Veneto
The excavation, carried out by the state archaeological service between 1988 and 2004 under the loggia, exposed part of the cryptoporticus that enclosed the temple on three sides (it.wikipedia; the operator).

Photo: Kia93VR · CC BY-SA 4.0 · Commons
villa · Veneto
The house is small - about 17 by 11 m without its portico (the operator) - and what you see is its rooms at floor level, their walls standing low.
Verona was a Roman town on the Via Postumia where it crossed the Adige, and it keeps one of the best-preserved amphitheatres of the ancient world: the Arena, built in the 1st century AD and still used for opera in summer. Within a walk of it stand a Roman theatre on the hillside across the river, the Ponte Pietra, the fronts of two Roman gates, the reassembled Arco dei Gavi and a handful of excavations below street level. It is worth the trip, and the main monuments can be seen in a day; the Arena costs €12, the theatre with its museum €9.
The Arena and the south of the old town. The amphitheatre stands on Piazza Bra, outside the walls of the Roman town (Musei Civici). Published dates for it run from about AD 30 (Pleiades; it.wikipedia) to the middle of the 1st century (the city’s museums). It held about 30,000 spectators in Roman times; today’s summer performances seat 22,000 (Musei Civici; it.wikipedia). Systematic restoration since the 16th century is largely what kept it in such condition (en.wikipedia), but what you see from the square is the inner ring: of the outer ring, the original facade, only a four-arched stretch called the Ala still stands. The ring was partly pulled down under Theodoric (493–526) to build the city’s second wall, and the Arena served as a quarry until the Renaissance (Musei Civici; it.wikipedia). The whole building measured about 152 by 123 m; without its outer ring it is about 138 by 110 m today (it.wikipedia; hr.wikipedia; fr.wikipedia). The tiers of seats inside have been rebuilt (Musei Civici). Opera seasons have been held here since 1913, interrupted only by wars (en.wikipedia).
A few minutes away are two sites that show the town’s defences. In Via San Cosimo, under the courtyard of the religious institute of the Figlie di Gesù, an excavation shows a stretch of the late-Republican wall of the second half of the 1st century BC, the base of a tower probably added under Gallienus, two rooms of a 1st-century house with mosaic and marble floors, and, about 8 m outside the first wall, a stretch of the second wall built under Theodoric, preserved up to about 10 m high and built partly of blocks taken from the Arena’s outer ring (it.wikipedia). Near by, in the basement of the Banca Popolare di Verona’s headquarters, the house in Piazza Nogara, built at the end of the 1st century BC, keeps mosaic floors laid between the 2nd and 3rd centuries, displayed in a setting designed by Carlo Scarpa (it.wikipedia). At Porta Leoni, a gate built with the walls in the second half of the 1st century BC and refaced in stone in the 1st century AD, half of the stone front on the town side still stands against a later building, and the foundations of the gate can be seen below the street (it.wikipedia; en.wikipedia). An inscription over its central pier, naming the four magistrates who built the walls, gates, towers and sewers, is regarded as the founding record of Roman Verona (it.wikipedia).
The forum and the western gate. Piazza delle Erbe occupies the site of the Roman forum, an open square 168 m long and 56 m wide (it.wikipedia). The Capitolium, the temple of Jupiter, Juno and Minerva on its north-east side, was completed around 20 BC; nothing of it stands above ground, but part of the vaulted gallery (cryptoporticus) that ran beneath its portico can be visited under the loggia of Corte Sgarzerie, and more of it lies under Palazzo Maffei and the church of San Benedetto al Monte (it.wikipedia). Remains of the Curia, the council house, can be seen inside the Dodici Apostoli restaurant (it.wikipedia). From the forum, Corso Porta Borsari follows the main Roman street to Porta Borsari, the Porta Iovia of the Romans and the town’s principal entrance, where the Via Postumia came in: only its outer front survives, a facade about 13 m high in white stone from the first half of the 1st century AD, with two arches below and two storeys of windows above (it.wikipedia). The temple of Jupiter Lustralis that gave the gate its name was excavated beside it in 1930 and demolished in 1932, and the stones of its podium were partly reassembled in the gardens outside Porta Vittoria (it.wikipedia; OpenStreetMap). About 400 m beyond the gate, beside the castle of Castelvecchio, stands the Arco dei Gavi, an arch built for the family of the Gavii at the end of Augustus’s reign or early in Tiberius’s, a very rare privately funded arch, signed by its architect, the freedman Lucio Vitruvio Cerdone (it.wikipedia). French military engineers took it down in 1805, and it was reassembled here in 1932, its missing attic redesigned from Palladio’s drawings and earlier surveys; a marble rectangle in the road in front of the castle marks where it stood (it.wikipedia). Digging round it in 2011–2013 found a 2nd-century house whose mosaic floor is now in the Museo di Castelvecchio, within sight of the arch (it.wikipedia).
Across the river. The Ponte Pietra is the only Roman bridge left in Verona (it.wikipedia), completed around 100 BC (en.wikipedia). Its two arches on the left bank are Roman work, in large blocks of stone; the arch on the town side was rebuilt in 1298 and the two middle arches in 1520–1521 (it.wikipedia). Retreating German troops blew it up on 24 April 1945, leaving only the town-side arch standing, and it was rebuilt in 1957–1959, largely from stones recovered from the river, so the Roman arches seen today were reassembled, largely from their original blocks (it.wikipedia). Beside the bridge, the Roman Theatre was built at the end of the 1st century BC against the Colle San Pietro, with terraces rising up the hill to a temple at the top (Musei Civici). Houses and churches covered it from at least the 10th century; the merchant Andrea Monga bought the site and excavated it between 1834 and 1844, and the city took over in 1904 (Musei Civici; it.wikipedia). Its seating was largely relaid or rebuilt in the early 20th century and the stage building survives only to a modest height (Musei Civici; it.wikipedia). The archaeological museum, in the 15th-century convent above the seating, is part of the same visit (it.wikipedia), and a funicular runs from near the bridge up to Castel San Pietro (en.wikipedia; OpenStreetMap).
Valdonega. On the hillside about 1.5 km north of Piazza delle Erbe, a 1st-century villa found in 1957 while a block of flats was being built keeps three rooms on an L-shaped portico; the largest, a dining room with columns on three sides, has mosaic floors and was painted with a garden (it.wikipedia).
Yes. The Arena alone justifies the visit: a Roman amphitheatre whose arena, seating and inner arcades can still be walked round, in the middle of a town that has kept its Roman street plan (en.wikipedia). The theatre and the Ponte Pietra across the river add a second half-day, and the gates and the Arco dei Gavi cost nothing and stand in the street on the way between them.
Know what you are seeing. The Arena’s facade is the inner ring, its seats are rebuilt, and from April to October stage sets fill part of it, and the city publishes no visiting hours for performance days; the theatre too gets a modern stage for its summer festival (Musei Civici). The excavations open free for a few hours a week - Corte Sgarzerie on Saturday and Sunday mornings, Via San Cosimo for two hours on Saturday and Sunday, Valdonega on Sunday and Tuesday afternoons - the last two by booking only (Archeonaute), and the house in Piazza Nogara is seen by booking only (University of Padua’s archeoveneto database). The Arco dei Gavi and the theatre, the two farthest apart, are about 1.3 km from each other, so a day is enough.
Verona Porta Nuova, the main railway station, is about 1.4 km from the Arena (OpenStreetMap), and the airport, 10 km south-west of the city, is linked to it by bus (en.wikipedia). Drivers will find two underground car parks, Cittadella and Parcheggio Arena, about 290 m and 450 m from the Arena (OpenStreetMap). From the Arena it is about 500 m to Piazza delle Erbe and 1.1 km to the Roman Theatre.
Each operator’s page, read 17 October 2026:
Porta Borsari, Porta Leoni, the Arco dei Gavi and the Ponte Pietra stand in the street, with no ticket.
Before you go
Hours and prices checked 17 October 2026 on the operator's own site. Confirm before travelling.
The first settlement lay on the slopes of the Colle San Pietro, above the river (it.wikipedia). Contacts with Rome are documented from the 3rd century BC, and the Via Postumia, from Genoa to Aquileia, crossed the Adige here (it.wikipedia). In 89 BC Verona received Latin rights as a colony, and in 49 BC Roman citizenship and the rank of municipium (en.wikipedia; it.wikipedia). The new town was laid out on a grid inside the bend of the Adige, a plan that survives in today’s streets (it.wikipedia; en.wikipedia). Under Augustus it became part of Italy’s tenth region, Venetia et Histria, and in the 1st century AD it was given its public monuments: the forum’s porticoes, Curia and Basilica, the stone fronts of its gates and the Arena (it.wikipedia). The Via Claudia Augusta, the road up the Adige valley to the Brenner Pass, ran through the town (it.wikipedia).
Its position made it a fortress in every crisis. In 69 the forces of Vespasian dug a ditch south of the town; in 265 Gallienus extended the walls to take in the Arena, in seven months, as an inscription on Porta Borsari records; in 312 Constantine besieged Maxentius’s forces in Verona, a siege shown on the Arch of Constantine in Rome (it.wikipedia). Stilicho defeated Alaric’s Visigoths at Verona in the early 5th century (published dates are 402 and 403), and in 489 the city passed to the Ostrogoths: Theodoric was said to have built a palace here, and he gave it its second wall (en.wikipedia; it.wikipedia). The Goths held it through the Gothic War (535–552), and in 569 it was taken by Alboin, king of the Lombards (en.wikipedia). The city was added to UNESCO’s World Heritage list in 2000 for its urban structure and architecture (en.wikipedia).






Photo: Adert · CC BY-SA 3.0 · Commons
7 km · site · Veneto
The water of an underground spring collects in a semicircular settling basin cut in the rock and runs on along a low, narrow, barrel-vaulted channel 100 m long, with four shafts along it.

Photo: Piergiovanna Grossi · CC BY-SA 4.0 · Commons
11 km · villa · Veneto
The villa has been brought to light almost entirely (it.wikipedia).

Photo: Syrio · CC BY-SA 4.0 · Commons
15 km · temple · Veneto
What you see are the remains of the temple rebuilt in the Augustan age: the walls of its four-sided central chamber (the cella) and of the galleries that ran round it, under a modern shelter roof set against the rock face of the hill (the operator).
Straight-line distances.
Every fact on this page comes from the records below, each used under the licence noted.